The Travels of Marco Polo — Volume 1 · Chapter 14Part 14
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[14] The Decima went to the Bishop of Castello (eventually converted into Patriarch of Venice) to divide between himself, the Clergy, the Church, and the Poor. It became a source of much bad feeling, which came to a head after the plague of 1348, when some families had to pay the tenth three times within a very short space. The existing Bishop agreed to a composition, but his successor Paolo Foscari (1367) claimed that on the death of every citizen an exact inventory should be made, and a full tithe levied. The Signory fought hard with the Bishop, but he fled to the Papal Court and refused all concession. After his death in 1376 a composition was made for 5500 ducats yearly. (Romanin, II. 406; III. 161, 165.)
[15] There is a difficulty about estimating the value of these sums from the variety of Venice pounds or lire. Thus the Lira dei piccoli was reckoned 3 to the ducat or zecchin, the Lira ai grossi 2 to the ducat, but the Lira dei grossi or Lira d’imprestidi was equal to 10 ducats, or (allowing for higher value of silver then) about 3l. 15s.; a little more than the equivalent of the then Pound sterling. This last money is specified in some of the bequests, as in the 20 soldi (or 1 lira) to St. Lorenzo, and in the annuity of 8 lire to Polo’s wife; but it seems doubtful what money is meant when libra only or libra denariorum venetorum is used. And this doubt is not new. Gallicciolli relates that in 1232 Giacomo Menotto left to the Church of S. Cassiano as an annuity libras denariorum venetorum quatuor. Till 1427 the church received the income as of lire dei piccoli, but on bringing a suit on the subject it was adjudged that lire ai grossi were to be understood. (Delle Mem. Venet. Ant. II. 18.) This story, however, cuts both ways, and does not decide our doubt.
[16] The form of the name Ysabeta aptly illustrates the transition that seems so strange from Elizabeth into the Isabel that the Spaniards made of it.
[17] I.e. the extent of what was properly called the Dogado, all along the Lagoons from Grado on the extreme east to Capo d’Argine (Cavarzere at the mouth of the Adige) on the extreme west.
[18] The word rendered Guilds is “Scholarum.” The crafts at Venice were united in corporations called Fraglie or Scholae, each of which had its statutes, its head called the Gastald, and its place of meeting under the patronage of some saint. These acted as societies of mutual aid, gave dowries to poor girls, caused masses to be celebrated for deceased members, joined in public religious processions, etc., nor could any craft be exercised except by members of such a guild. (Romanin, I. 390.)
[19] A few years after Ser Marco’s death (1328) we find the Great Council granting to this Peter the rights of a natural Venetian, as having been a long time at Venice, and well-conducted. (See App. C, Calendar of Documents, No. 13.) This might give some additional colour to M. Pauthier’s supposition that this Peter the Tartar was a faithful servant who had accompanied Messer Marco from the East 30 years before. But yet the supposition is probably unfounded. Slavery and slave-trade were very prevalent at Venice in the Middle Ages, and V. Lazari, a writer who examined a great many records connected therewith, found that by far the greater number of slaves were described as Tartars. There does not seem to be any clear information as to how they were imported, but probably from the factories on the Black Sea, especially Tana after its establishment.
A tax of 5 ducats per head was set on the export of slaves in 1379, and as the revenue so received under the Doge Tommaso Mocenigo (1414–1423) amounted (so says Lazari) to 50,000 ducats, the startling conclusion is that 10,000 slaves yearly were exported! This it is difficult to accept. The slaves were chiefly employed in domestic service, and the records indicate the women to have been about twice as numerous as the men. The highest price recorded is 87 ducats paid for a Russian girl sold in 1429. All the higher prices are for young women; a significant circumstance. With the existence of this system we may safely connect the extraordinary frequence of mention of illegitimate children in Venetian wills and genealogies. (See Lazari, Del Traffico degli Schiavi in Venezia, etc., in Miscellanea di Storia Italiana, I. 463 seqq.) In 1308 the Khan Toktai of Kipchak (see Polo, II. 496), hearing that the Genoese and other Franks were in the habit of carrying off Tartar children to sell, sent a force against Caffa, which was occupied without resistance, the people taking refuge in their ships. The Khan also seized the Genoese property in Sarai. (Heyd. II. 27.)
[20] “Stracium et omne capud massariciorum”; in Scotch phrase “napery and plenishing.” A Venetian statute of 1242 prescribes that a bequest of massariticum shall be held to carry to the legatee all articles of common family use except those of gold and silver plate or jeweller’s work. (See Ducange, sub voce.) Stracci is still used technically in Venice for “household linen.”
[21] In the original aureas libras quinque. According to Marino Sanudo the Younger (Vite dei Dogi in Muratori, xxii. 521) this should be pounds or lire of aureole, the name of a silver coin struck by and named after the Doge Aurio Mastropietro (1178–1192): “Ancora fu fatta una Moneta d’argento che si chiamava Aureola per la casata del Doge; è quella Moneta che i Notai de Venezia mettevano di pena sotto i loro instrumenti.” But this was a vulgar error. An example of the penalty of 5 pounds of gold is quoted from a decree of 960; and the penalty is sometimes expressed “auri purissimi librae 5.” A coin called the lira d’oro or redonda is alleged to have been in use before the ducat was introduced. (See Gallicciolli, II. 16.) But another authority seems to identify the lira a oro with the lira dei grossi. (See Zanetti, Nuova Racc. delle Monete &c. d’Italia, 1775. I. 308.)
[22] We give a photographic reduction of the original document. This, and the other two Polo Wills already quoted, had come into the possession of the Noble Filippo Balbi, and were by him presented in our own time to the St. Mark’s Library. They are all on parchment, in writing of that age, and have been officially examined and declared to be originals. They were first published by Cicogna, Iscrizioni Veneziane, III. 489–493. We give Marco’s in the original language, line for line with the facsimile, in Appendix C.
There is no signature, as may be seen, except those of the Witnesses and the Notary. The sole presence of a Notary was held to make a deed valid, and from about the middle of the 13th century in Italy it is common to find no actual signature (even of witnesses) except that of the Notary. The peculiar flourish before the Notary’s name is what is called the Tabellionato, a fanciful distinctive monogram which each Notary adopted. Marco’s Will is unfortunately written in a very cramp hand with many contractions. The other two Wills (of Marco the Elder and Maffeo) are in beautiful and clear Gothic penmanship.
[23] We have noticed formerly (pp. 14–15, note) the recent discovery of a document bearing what was supposed to be the autograph signature of our Traveller. The document in question is the Minute of a Resolution of the Great Council, attested by the signatures of three members, of whom the last is Marcus Paullo. But the date alone, 11th March, 1324, is sufficient to raise the gravest doubts as to this signature being that of our Marco. And further examination, as I learn from a friend at Venice, has shown that the same name occurs in connection with analogous entries on several subsequent occasions up to the middle of the century. I presume that this Marco Polo is the same that is noticed in our Appendix B, II. as a voter in the elections of the Doges Marino Faliero and Giovanni Gradenigo. I have not been able to ascertain his relation to either branch of the Polo family; but I suspect that he belonged to that of S. Geremia, of which there was certainly a Marco about the middle of the century.
[24] “Under the angiporta (of S. Lorenzo) [see plate] is buried that Marco Polo surnamed Milione, who wrote the Travels in the New World, and who was the first before Christopher Columbus to discover new countries. No faith was put in him because of the extravagant things that he recounted; but in the days of our Fathers Columbus augmented belief in him, by discovering that part of the world which eminent men had heretofore judged to be uninhabited.” (Venezia ... Descritta, etc., f. 23 v.) Marco Barbaro attests the same inscription in his Genealogies (copy in Museo Civico at Venice).
[25] Cicogna, II. 385.
[26] Lazari, xxxi.
[27] In the first edition I noticed briefly a statement that had reached me from China that, in the Temple at Canton vulgarly called “of the 500 gods,” there is a foreign figure which from the name attached had been supposed to represent Marco Polo! From what I have heard from Mr. Wylie, a very competent authority, this is nonsense. The temple contains 500 figures of Arhans or Buddhist saints, and one of these attracts attention from having a hat like a sailor’s straw hat. Mr. Wylie had not remarked the name. [A model of this figure was exhibited at Venice at the international Geographical Congress, in 1881. I give a reproduction of this figure and of the Temple of 500 Genii (Fa Lum Sze) at Canton, from drawings by Félix Régamey made after photographs sent to me by my late friend, M. Camille Imbault Huart, French Consul at Canton.—H. C.]
[28] These documents are noted in Appendix C, Nos. 9–12, 14, 17, 18.
[29] I can find no Ranuzzo Dolfino among the Venetian genealogies, but several Reniers. And I suspect Ranuzzo may be a form of the latter name.
[30] Cappellari (see p. 77, footnote) under Bragadino.
[31] Ibid. and Gallicciolli, II. 146.
[32] The lire of the fine are not specified; but probably ai grossi, which would be = 37l. 10s.; not, we hope, dei grossi!
[33] Yet, if the family were so wealthy as tradition represents, it is strange that Marco’s brother Maffeo, after receiving a share of his father’s property, should have possessed barely 10,000 lire, probably equivalent to 5000 ducats at most. (See p. 65, supra.)
[34] An Agnes Loredano, Abbess of S. Maria delle Vergini, died in 1397. (Cicogna, V. 91 and 629.) The interval of 61 years makes it somewhat improbable that it should be the same.
[35] In the Museo Civico (No. 2271 of the Cicogna collection) there is a commission addressed by the Doge Michiel Steno in 1408, “Nobili Viro Marcho Paulo,” nominating him Podestà of Arostica (a Castello of the Vicentino). This is probably the same Marco.
[36] The descent runs: (1) Azzo = Maria Polo; (2) Febo, Captain at Padua; (3) Zaccaria, Senator; (4) Domenico, Procurator of St. Mark’s; (5) Marc’Antonio, Doge (Cappellari, Campidoglio Veneto, MS. St. Mark’s Lib.).
Marc’Antonio nolebat ducari and after election desired to renounce. His friends persuaded him to retain office, but he lived scarcely a year after. (Cicogna, IV. 566.) [See p. 8.]
[37] In Appendix B will be found tabulated all the facts that seem to be positively ascertained as to the Polo genealogies.
In the Venetian archives occurs a procuration executed by the Doge in favour of the Nobilis Vir Ser Marco Paulo that he may present himself before the king of Sicily; under date, Venice 9th November, 1342. And some years later we have in the Sicilian Archives an order by King Lewis of Sicily, directed to the Maestri Procuratori of Messina, which grants to Marco Polo of Venice, on account of services rendered to the king’s court, the privilege of free import and export at the port of Messina, without payment of customs of goods to the amount annually of 20 ounces. Dated in Catania 13th January, 1346 (1347?).
For the former notice I am indebted to the courtesy of Signor B. Cecchetti of the Venetian Archives, who cites it as “transcribed in the Commemor. IV. p. 5”; for the latter to that of the Abate Carini of the Reale Archivio at Palermo; it is in Archivio della Regia Cancellaria 1343–1357, f. 58.
The mission of this Marco Polo is mentioned also in a rescript of the Sicilian king Peter II., dated Messina, 14th November, 1340, in reference to certain claims of Venice, about which the said Marco appeared as the Doge’s ambassador. This is printed in F. Testa, De Vitâ et Rebus Gestis Federici II., Siciliæ Regis, Panormi, 1775, pp. 267 seqq. The Sicilian Antiquary Rosario Gregorio identifies the Envoy with our Marco, dead long before. (See Opere scelte del Canon Ros. Gregorio, Palermo, 1845, 3za ediz., p. 352.)
It is possible that this Marco, who from the latter notice seems to have been engaged in mercantile affairs, may have been the Marcolino above mentioned, but it is perhaps on the whole more probable that this nobilis vir is the Marco spoken of in the note at p. 74.
[38] La Collezione del Doge Marin Faliero e i Tesori di Marco Polo, pp. 98–103. I have seen this article.—H. C.
50. The Book itself consists essentially of Two Parts. First, of a Prologue, as it is termed, the only part which is actual personal narrative, and which relates, in a very interesting but far too brief manner, the circumstances which led the two elder Polos to the Kaan’s Court, and those of their second journey with Mark, and of their return to Persia through the Indian Seas. Secondly, of a long series of chapters of very unequal length, descriptive of notable sights and products, of curious manners and remarkable events, relating to the different nations and states of Asia, but, above all, to the Emperor Kúblái, his court, wars, and administration. A series of chapters near the close treats in a verbose and monotonous manner of sundry wars that took place between the various branches of the House of Chinghiz in the latter half of the 13th century. This last series is either omitted or greatly curtailed in all the copies and versions except one; a circumstance perfectly accounted for by the absence of interest as well as value in the bulk of these chapters. Indeed, desirous though I have been to give the Traveller’s work complete, and sharing the dislike that every man who uses books must bear to abridgments, I have felt that it would be sheer waste and dead-weight to print these chapters in full.
This second and main portion of the Work is in its oldest forms undivided, the chapters running on consecutively to the end.[1] In some very early Italian or Venetian version, which Friar Pipino translated into Latin, it was divided into three Books, and this convenient division has generally been adhered to. We have adopted M. Pauthier’s suggestion in making the final series of chapters, chiefly historical, into a Fourth.
51. As regards the language in which Marco’s Book was first committed to writing, we have seen that Ramusio assumed, somewhat arbitrarily, that it was Latin; Marsden supposed it to have been the Venetian dialect; Baldelli Boni first showed, in his elaborate edition (Florence, 1827), by arguments that have been illustrated and corroborated by learned men since, that it was French.
That the work was originally written in some Italian dialect was a natural presumption, and slight contemporary evidence can be alleged in its favour; for Fra Pipino, in the Latin version of the work, executed whilst Marco still lived, describes his task as a translation de vulgari. And in one MS. copy of the same Friar Pipino’s Chronicle, existing in the library at Modena, he refers to the said version as made “ex vulgari idiomate Lombardico.” But though it may seem improbable that at so early a date a Latin version should have been made at second hand, I believe this to have been the case, and that some internal evidence also is traceable that Pipino translated not from the original but from an Italian version of the original.
The oldest MS. (it is supposed) in any Italian dialect is one in the Magliabecchian Library at Florence, which is known in Italy as L’Ottima, on account of the purity of its Tuscan, and as Della Crusca from its being one of the authorities cited by that body in their Vocabulary.[2] It bears on its face the following note in Italian:—
“This Book called the Navigation of Messer Marco Polo, a noble Citizen of Venice, was written in Florence by Michael Ormanni my great grandfather by the Mother’s side, who died in the Year of Grace One Thousand Three Hundred and Nine; and my mother brought it into our Family of Del Riccio, and it belongs to me Pier del Riccio and to my Brother; 1452.”
As far as I can learn, the age which this note implies is considered to be supported by the character of the MS. itself.[3] If it be accepted, the latter is a performance going back to within eleven years at most of the first dictation of the Travels. At first sight, therefore, this would rather argue that the original had been written in pure Tuscan. But when Baldelli came to prepare it for the press he found manifest indications of its being a Translation from the French. Some of these he has noted; others have followed up the same line of comparison. We give some detailed examples in a note.[4]
52. The French Text that we have been quoting, published by the Geographical Society of Paris in 1824, affords on the other hand the strongest corresponding proof that it is an original and not a Translation. Rude as is the language of the manuscript (Fr. 1116, formerly No. 7367, of Paris Library), it is, in the correctness of the proper names, and the intelligible exhibition of the itineraries, much superior to any form of the Work previously published.
The language is very peculiar. We are obliged to call it French, but it is not “Frenche of Paris.” “Its style,” says Paulin Paris, “is about as like that of good French authors of the age, as in our day the natural accent of a German, an Englishman, or an Italian, is like that of a citizen of Paris or Blois.” The author is at war with all the practices of French grammar; subject and object, numbers, moods, and tenses, are in consummate confusion. Even readers of his own day must at times have been fain to guess his meaning. Italian words are constantly introduced, either quite in the crude or rudely Gallicized.[5] And words also, we may add, sometimes slip in which appear to be purely Oriental, just as is apt to happen with Anglo-Indians in these days.[6] All this is perfectly consistent with the supposition that we have in this MS. a copy at least of the original words as written down by Rusticiano a Tuscan, from the dictation of Marco an Orientalized Venetian, in French, a language foreign to both.
But the character of the language as French is not its only peculiarity. There is in the style, apart from grammar or vocabulary, a rude angularity, a rough dramatism like that of oral narrative; there is a want of proportion in the style of different parts, now over curt, now diffuse and wordy, with at times even a hammering reiteration; a constant recurrence of pet colloquial phrases (in which, however, other literary works of the age partake); a frequent change in the spelling of the same proper names, even when recurring within a few lines, as if caught by ear only; a literal following to and fro of the hesitations of the narrator; a more general use of the third person in speaking of the Traveller, but an occasional lapse into the first. All these characteristics are strikingly indicative of the unrevised product of dictation, and many of them would necessarily disappear either in translation or in a revised copy.
Of changes in representing the same proper name, take as an example that of the Kaan of Persia whom Polo calls Quiacatu (Kaikhátú), but also Acatu, Catu, and the like.
As an example of the literal following of dictation take the following:—
“Let us leave Rosia, and I will tell you about the Great Sea (the Euxine), and what provinces and nations lie round about it, all in detail; and we will begin with Constantinople—First, however, I should tell you about a province, etc.... There is nothing more worth mentioning, so I will speak of other subjects,—but there is one thing more to tell you about Rosia that I had forgotten.... Now then let us speak of the Great Sea as I was about to do. To be sure many merchants and others have been here, but still there are many again who know nothing about it, so it will be well to include it in our Book. We will do so then, and let us begin first with the Strait of Constantinople.
“At the Straits leading into the Great Sea, on the West Side, there is a hill called the Faro.—But since beginning on this matter I have changed my mind, because so many people know all about it, so we will not put it in our description but go on to something else.” (See vol. ii. p. 487 seqq.)
And so on.
As a specimen of tautology and hammering reiteration the following can scarcely be surpassed. The Traveller is speaking of the Chughi, i.e. the Indian Jogis:—
“And there are among them certain devotees, called Chughi; these are longer-lived than the other people, for they live from 150 to 200 years; and yet they are so hale of body that they can go and come wheresoever they please, and do all the service needed for their monastery or their idols, and do it just as well as if they were younger; and that comes of the great abstinence that they practise, in eating little food and only what is wholesome; for they use to eat rice and milk more than anything else. And again I tell you that these Chughi who live such a long time as I have told you, do also eat what I am going to tell you, and you will think it a great matter. For I tell you that they take quicksilver and sulphur, and mix them together, and make a drink of them, and then they drink this, and they say that it adds to their life; and in fact they do live much longer for it; and I tell you that they do this twice every month. And let me tell you that these people use this drink from their infancy in order to live longer, and without fail those who live so long as I have told you use this drink of sulphur and quicksilver.” (See G. T. p. 213.)
Such talk as this does not survive the solvent of translation; and we may be certain that we have here the nearest approach to the Traveller’s reminiscences as they were taken down from his lips in the prison of Genoa.
53. Another circumstance, heretofore I believe unnoticed, is in itself enough to demonstrate the Geographic Text to be the source of all other versions of the Work. It is this.
In reviewing the various classes or types of texts of Polo’s Book, which we shall hereafter attempt to discriminate, there are certain proper names which we find in the different texts to take very different forms, each class adhering in the main to one particular form.
Thus the names of the Mongol ladies introduced at pp. 32 and 36 of this volume, which are in proper Oriental form Bulughán and Kukáchin, appear in the class of MSS. which Pauthier has followed as Bolgara and Cogatra; in the MSS. of Pipino’s version, and those founded on it, including Ramusio, the names appear in the correcter forms Bolgana or Balgana and Cogacin. Now all the forms Bolgana, Balgana, Bolgara, and Cogatra, Cocacin appear in the Geographic Text.
Kaikhátú Kaan appears in the Pauthier MSS. as Chiato, in the Pipinian as Acatu, in the Ramusian as Chiacato. All three forms, Chiato, Achatu, and Quiacatu are found in the Geographic Text.
The city of Koh-banan appears in the Pauthier MSS. as Cabanant, in the Pipinian and Ramusian editions as Cobinam or Cobinan. Both forms are found in the Geographic Text.
The city of the Great Kaan (Khanbalig) is called in the Pauthier MSS. Cambaluc, in the Pipinian and Ramusian less correctly Cambalu. Both forms appear in the Geographic Text.
The aboriginal People on the Burmese Frontier who received from the Western officers of the Mongols the Persian name (translated from that applied by the Chinese) of Zardandán, or Gold-Teeth, appear in the Pauthier MSS. most accurately as Zardandan, but in the Pipinian as Ardandan (still further corrupted in some copies into Arcladam). Now both forms are found in the Geographic Text. Other examples might be given, but these I think may suffice to prove that this Text was the common source of both classes.
In considering the question of the French original too we must remember what has been already said regarding Rusticien de Pise and his other French writings; and we shall find hereafter an express testimony borne in the next generation that Marco’s Book was composed in vulgari Gallico.
54. But, after all, the circumstantial evidence that has been adduced from the texts themselves is the most conclusive. We have then every reason to believe both that the work was written in French, and that an existing French Text is a close representation of it as originally committed to paper. And that being so we may cite some circumstances to show that the use of French or quasi-French for the purpose was not a fact of a very unusual or surprising nature. The French language had at that time almost as wide, perhaps relatively a wider, diffusion than it has now. It was still spoken at the Court of England, and still used by many English writers, of whom the authors or translators of the Round Table Romances at Henry III.’s Court are examples.[7] In 1249 Alexander III. King of Scotland, at his coronation spoke in Latin and French; and in 1291 the English Chancellor addressing the Scotch Parliament did so in French. At certain of the Oxford Colleges as late as 1328 it was an order that the students should converse colloquio latino vel saltem gallico.[8] Late in the same century Gower had not ceased to use French, composing many poems in it, though apologizing for his want of skill therein:—
“Et si jeo nai de François la faconde
* * * *
Jeo suis Englois; si quier par tiele voie
Estre excusé.”[9]
Indeed down to nearly 1385, boys in the English grammar-schools were taught to construe their Latin lessons into French.[10] St. Francis of Assisi is said by some of his biographers to have had his original name changed to Francesco because of his early mastery of that language as a qualification for commerce. French had been the prevalent tongue of the Crusaders, and was that of the numerous Frank Courts which they established in the East, including Jerusalem and the states of the Syrian coast, Cyprus, Constantinople during the reign of the Courtenays, and the principalities of the Morea. The Catalan soldier and chronicler Ramon de Muntaner tells us that it was commonly said of the Morean chivalry that they spoke as good French as at Paris.[11] Quasi-French at least was still spoken half a century later by the numerous Christians settled at Aleppo, as John Marignolli testifies;[12] and if we may trust Sir John Maundevile the Soldan of Egypt himself and four of his chief Lords “spak Frensche righte wel!”[13] Gházán Kaan, the accomplished Mongol Sovereign of Persia, to whom our Traveller conveyed a bride from Cambaluc, is said by the historian Rashiduddin to have known something of the Frank tongue, probably French.[14] Nay, if we may trust the author of the Romance of Richard Cœur-de-Lion, French was in his day the language of still higher spheres![15]
Nor was Polo’s case an exceptional one even among writers on the East who were not Frenchmen. Maundevile himself tells us that he put his book first “out of Latyn into Frensche,” and then out of French into English.[16] The History of the East which the Armenian Prince and Monk Hayton dictated to Nicolas Faulcon at Poictiers in 1307 was taken down in French. There are many other instances of the employment of French by foreign, and especially by Italian authors of that age. The Latin chronicle of the Benedictine Amato of Monte Cassino was translated into French early in the 13th century by another monk of the same abbey, at the particular desire of the Count of Militrée (or Malta), “Pour ce qu’il set lire et entendre fransoize et s’en delitte.”[17] Martino da Canale, a countryman and contemporary of Polo’s, during the absence of the latter in the East wrote a Chronicle of Venice in the same language, as a reason for which he alleges its general popularity.[18] The like does the most notable example of all, Brunetto Latini, Dante’s master, who wrote in French his encyclopædic and once highly popular work Li Tresor.[19] Other examples might be given, but in fact such illustration is superfluous when we consider that Rusticiano himself was a compiler of French Romances.