The Poetical Works of William Wordsworth — Volume 1 (of 8) · Chapter 7Guilt and Sorrow; or, Incidents upon Salisbury Plain
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Advertisement, Prefixed To The First Edition Of This Poem, Published In 1842.
Not less than one-third of the following poem, though it has from time to time been altered in the expression, was published so far back as the year 1798, under the title of The Female Vagrant. The extract is of such length that an apology seems to be required for reprinting it here; but it was necessary to restore it to its original position, or the rest would have been unintelligible. The whole was written before the close of the year 1794, and I will detail, rather as matter of literary biography than for any other reason, the circumstances under which it was produced. During the latter part of the summer of 1793, having passed a month in the Isle of Wight, in view of the fleet which was then preparing for sea off Portsmouth at the commencement of the war, I left the place with melancholy forebodings. The American war was still fresh in memory. The struggle which was beginning, and which many thought would be brought to a speedy close by the irresistible arms of Great Britain being added to those of the allies, I was assured in my own mind would be of long continuance, and productive of distress and misery beyond all possible calculation. This conviction was pressed upon me by having been a witness, during a long residence in revolutionary France, of the spirit which prevailed in that country. After leaving the Isle of Wight, I spent twoA days in wandering on foot over Salisbury Plain, which, though cultivation was then widely spread through parts of it, had upon the whole a still more impressive appearance than it now retains. The monuments and traces of antiquity, scattered in abundance over that region, led me unavoidably to compare what we know or guess of those remote times with certain aspects of modern society, and with calamities, principally those consequent upon war, to which, more than other classes of men, the poor are subject. In those reflections, joined with some particular facts that had come to my knowledge, the following stanzas originated. In conclusion, to obviate some distraction in the minds of those who are well acquainted with Salisbury Plain, it may be proper to say, that of the features described as belonging to it, one or two are taken from other desolate parts of England.
Unwilling to be unnecessarily particular, I have assigned this poem to the dates 1793 and '94; but, in fact, much of the Female Vagrant's story was composed at least two years before. All that relates to her sufferings as a sailor's wife in America, and her condition of mind during her voyage home, were faithfully taken from the report made to me of her own case by a friend who had been subjected to the same trials, and affected in the same way. Mr. Coleridge, when I first became acquainted with him, was so much impressed with this poem, that it would have encouraged me to publish the whole as it then stood; but the mariner's fate appeared to me so tragical, as to require a treatment more subdued, and yet more strictly applicable in expression, than I had at first given to it. This fault was corrected nearly sixty years afterwards, when I determined to publish the whole. It may be worth while to remark, that, though the incidents of this attempt do only in a small degree produce each other, and it deviates accordingly from the general rule by which narrative pieces ought to be governed, it is not, therefore, wanting in continuous hold upon the mind, or in unity, which is effected by the identity of moral interest that places the two personages upon the same footing in the reader's sympathies. My ramble over many parts of Salisbury Plain put me, as mentioned in the preface, upon writing this poem, and left upon my mind imaginative impressions, the force of which I have felt to this day. From that district I proceeded to Bath, Bristol, and so on to the banks of the Wye; where I took again to travelling on foot. In remembrance of that part of my journey, which was in '93, I began the verses,—'Five years have passed,' etc.—I. F.
The foregoing is the Fenwick note to Guilt and Sorrow. The note to The Female Vagrant,—which was the title under which one-third of the longer poem appeared in all the complete editions prior to 1845—is as follows.—Ed.
I find the date of this is placed in 1792, in contradiction, by mistake, to what I have asserted in Guilt and Sorrow. The correct date is 1793-4. The chief incidents of it, more particularly her description of her feelings on the Atlantic, are taken from life.—I. F.
In 1798 there were thirty stanzas in this poem; in 1802, twenty-six; in 1815, fourteen; in 1820, twenty-five. Stanzas I. to XXII., XXXV. to XXXVII., and LI. to LXXIV. occur only in the collected edition of 1842, vol. vii. (also published as "Poems, chiefly of Early and Late Years"), and in subsequent editions. Wordsworth placed The Female Vagrant among his "Juvenile Pieces" from 1815 to 1832. In 1836, he included it along with Descriptive Sketches in his Table of ContentsB; but as he numbered it IV. in the text—the other poems belonging to the "Juvenile Pieces" being numbered I. II. and III.—it is clear that he meant it to remain in that class. The "Poems written in Youth," of the edition of 1845, include many others in addition to the "Juvenile Pieces" of editions 1815 to 1836.—Ed.
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The following stanza was only in the editions of 1798 and 1800:
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Stanzas XXIV. and XXV. were omitted from the editions of 1802 and 1805. They were restored in 1820.
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The following stanza occurs only in the editions 1798 to 1805:
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The edition of 1820 returns to the text of 1798.
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The edition of 1820 reverts to the reading of 1798.
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The following stanza appeared only in the editions 1798-1805:
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The following stanza occurs only in the editions of 1798 to 1805:
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Footnote A:
In the
Prelude
, he says it was "three summer days." See book xiii. l. 337.—Ed.
Footnote B:
By an evident error, corrected in the first reprint of this edition (1840).
p. 37.—Ed.
Footnote C:
From a short MS. poem read to me when an under-graduate, by my schoolfellow and friend Charles Farish, long since deceased. The verses were by a brother of his, a man of promising genius, who died young.—W. W. 1842.
Charles Farish was the author of
The Minstrels of Winandermere
.—Ed.
Footnote D:
Compare Milton's "grinding sword,"
Paradise Lost
, vi. l. 329.—Ed.
Sub-Footnote i:
Several of the Lakes in the north of England are let out to different Fishermen, in parcels marked out by imaginary lines drawn from rock to rock.—W. W. 1798.