The History of Rome (Volumes 1-5) · Chapter 146Chapter XII (1)
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Religion, Culture, Literature, and Art
State Religion
In the development of religion and philosophy no new element appeared during this epoch. The Romano-Hellenic state-religion and the Stoic state-philosophy inseparably combined with it were for every government—oligarchy, democracy or monarchy—not merely a convenient instrument, but quite indispensable for the very reason that it was just as impossible to construct the state wholly without religious elements as to discover any new state-religion fitted to take the place of the old. So the besom of revolution swept doubtless at times very roughly through the cobwebs of the augural bird-lore;(1) nevertheless the rotten machine creaking at every joint survived the earthquake which swallowed up the republic itself, and preserved its insipidity and its arrogance without diminution for transference to the new monarchy. As a matter of course, it fell more and more into disfavour with all those who preserved their freedom of judgment. Towards the state-religion indeed public opinion maintained an attitude essentially indifferent; it was on all sides recognized as an institution of political convenience, and no one specially troubled himself about it with the exception of political and antiquarian literati. But towards its philosophical sister there gradually sprang up among the unprejudiced public that hostility, which the empty and yet perfidious hypocrisy of set phrases never fails in the long run to awaken. That a presentiment of its own worthlessness began to dawn on the Stoa itself, is shown by its attempt artificially to infuse into itself some fresh spirit in the way of syncretism. Antiochus of Ascalon (flourishing about 675), who professed to have patched together the Stoic and Platonic-Aristotelian systems into one organic unity, in reality so far succeeded that his misshapen doctrine became the fashionable philosophy of the conservatives of his time and was conscientiously studied by the genteel dilettanti and literati of Rome. Every one who displayed any intellectual vigour, opposed the Stoa or ignored it. It was principally antipathy towards the boastful and tiresome Roman Pharisees, coupled doubtless with the increasing disposition to take refuge from practical life in indolent apathy or empty irony, that occasioned during this epoch the extension of the system of Epicurus to a larger circle and the naturalization of the Cynic philosophy of Diogenes in Rome. However stale and poor in thought the former might be, a philosophy, which did not seek the way to wisdom through an alteration of traditional terms but contented itself with those in existence, and throughout recognized only the perceptions of sense as true, was always better than the terminological jingle and the hollow conceptions of the Stoic wisdom; and the Cynic philosophy was of all the philosophical systems of the times in so far by much the best, as its system was confined to the having no system at all and sneering at all systems and all systematizers. In both fields war was waged against the Stoa with zeal and success; for serious men, the Epicurean Lucretius preached with the full accents of heartfelt conviction and of holy zeal against the Stoical faith in the gods and providence and the Stoical doctrine of the immortality of the soul; for the great public ready to laugh, the Cynic Varro hit the mark still more sharply with the flying darts of his extensively- read satires. While thus the ablest men of the older generation made war on the Stoa, the younger generation again, such as Catullus, stood in no inward relation to it at all, and passed a far sharper censure on it by completely ignoring it.
The Oriental Religions
But, if in the present instance a faith no longer believed in was maintained out of political convenience, they amply made up for this in other respects. Unbelief and superstition, different hues of the same historical phenomenon, went in the Roman world of that day hand in hand, and there was no lack of individuals who in themselves combined both—who denied the gods with Epicurus, and yet prayed and sacrificed before every shrine. Of course only the gods that came from the east were still in vogue, and, as the men continued to flock from the Greek lands to Italy, so the gods of the east migrated in ever-increasing numbers to the west. The importance of the Phrygian cultus at that time in Rome is shown both by the polemical tone of the older men such as Varro and Lucretius, and by the poetical glorification of it in the fashionable Catullus, which concludes with the characteristic request that the goddess may deign to turn the heads of others only, and not that of the poet himself.
Worship of Mithra
A fresh addition was the Persian worship, which is said to have first reached the Occidental through the medium of the pirates who met on the Mediterranean from the east and from the west; the oldest seat of this cultus in the west is stated to have been Mount Olympus in Lycia. That in the adoption of Oriental worships in the west such higher speculative and moral elements as they contained were generally allowed to drop, is strikingly evinced by the fact that Ahuramazda, the supreme god of the pure doctrine of Zarathustra, remained virtually unknown in the west, and adoration there was especially directed to that god who had occupied the first place in the old Persian national religion and had been transferred by Zarathustra to the second—the sun-god Mithra.
Worship of Isis
But the brighter and gentler celestial forms of the Persian religion did not so rapidly gain a footing in Rome as the wearisome mystical host of the grotesque divinities of Egypt—Isis the mother of nature with her whole train, the constantly dying and constantly reviving Osiris, the gloomy Sarapis, the taciturn and grave Harpocrates, the dog-headed Anubis. In the year when Clodius emancipated the clubs and conventicles (696), and doubtless in consequence of this very emancipation of the populace, that host even prepared to make its entry into the old stronghold of the Roman Jupiter in the Capitol, and it was with difficulty that the invasion was prevented and the inevitable temples were banished at least to the suburbs of Rome. No worship was equally popular among the lower orders of the population in the capital: when the senate ordered the temples of Isis constructed within the ring-wall to be pulled down, no labourer ventured to lay the first hand on them, and the consul Lucius Paullus was himself obliged to apply the first stroke of the axe(704); a wager might be laid, that the more loose any woman was, the more piously she worshipped Isis. That the casting of lots, the interpretation of dreams, and similar liberal arts supported their professors, was a matter of course. The casting of horoscopes was already a scientific pursuit; Lucius Tarutius of Firmum, a respectable and in his own way learned man, a friend of Varro and Cicero, with all gravity cast the nativity of kings Romulus and Numa and of the city of Rome itself, and for the edification of the credulous on either side confirmed by means of his Chaldaean and Egyptian wisdom the accounts of the Roman annals.
The New Pythagoreanism Nigidius Figulus
But by far the most remarkable phenomenon in this domain was the first attempt to mingle crude faith with speculative thought, the first appearance of those tendencies, which we are accustomed to describe as Neo-Platonic, in the Roman world. Their oldest apostle there was Publius Nigidius Figulus, a Roman of rank belonging to the strictest section of the aristocracy, who filled the praetorship in 696 and died in 709 as a political exile beyond the bounds of Italy. With astonishing copiousness of learning and still more astonishing strength of faith he created out of the most dissimilar elements a philosophico-religious structure, the singular outline of which he probably developed still more in his oral discourses than in his theological and physical writings. In philosophy, seeking deliverance from the skeletons of the current systems and abstractions, he recurred to the neglected fountain of the pre-Socratic philosophy, to whose ancient sages thought had still presented itself with sensuous vividness. The researches of physical science—which, suitably treated, afford even now so excellent a handle for mystic delusion and pious sleight of hand, and in antiquity with its more defective insight into physical laws lent themselves still more easily to such objects—played in this case, as may readily be conceived, a considerable part. His theology was based essentially on that strange medley, in which Greeks of a kindred spirit had intermingled Orphic and other very old or very new indigenous wisdom with Persian, Chaldaean, and Egyptian secret doctrines, and with which Figulus incorporated the quasi-results of the Tuscan investigation into nothingness and of the indigenous lore touching the flight of birds, so as to produce further harmonious confusion. The whole system obtained its consecration—political, religious, and national—from the name of Pythagoras, the ultra-conservative statesman whose supreme principle was "to promote order and to check disorder," the miracle-worker and necromancer, the primeval sage who was a native of Italy, who was interwoven even with the legendary history of Rome, and whose statue was to be seen in the Roman Forum. As birth and death are kindred with each other, so—it seemed—Pythagoras was to stand not merely by the cradle of the republic as friend of the wise Numa and colleague of the sagacious mother Egeria, but also by its grave as the last protector of the sacred bird-lore. But the new system was not merely marvellous, it also worked marvels; Nigidius announced to the father of the subsequent emperor Augustus, on the very day when the latter was born, the future greatness of his son; nay the prophets conjured up spirits for the credulous, and, what was of more moment, they pointed out to them the places where their lost money lay. The new-and-old wisdom, such as it was, made a profound impression on its contemporaries; men of the highest rank, of the greatest learning, of the most solid ability, belonging to very different parties—the consul of 705, Appius Claudius, the learned Marcus Varro, the brave officer Publius Vatinius— took part in the citation of spirits, and it even appears that a police interference was necessary against the proceedings of these societies. These last attempts to save the Roman theology, like the kindred efforts of Cato in the field of politics, produce at once a comical and a melancholy impression; we may smile at the creed and its propagators, but still it is a grave matter when even able men begin to addict themselves to absurdity.
Training of Youth Sciences of General Culture at This Period
The training of youth followed, as may naturally be supposed, the course of bilingual humane culture chalked out in the previous epoch, and the general culture also of the Roman world conformed more and more to the forms established for that purpose by the Greeks. Even the bodily exercises advanced from ball-playing, running, and fencing to the more artistically-developed Greek gymnastic contests; though there were not yet any public institutions for gymnastics, in the principal country-houses the palaestra was already to be found by the side of the bath-rooms. The manner in which the cycle of general culture had changed in the Roman world during the course of a century, is shown by a comparison of the encyclopaedia of Cato(2) with the similar treatise of Varro "concerning the school-sciences." As constituent elements of non-professional culture, there appear in Cato the art of oratory, the sciences of agriculture, of law, of war, and of medicine; in Varro—according to probable conjecture—grammar, logic or dialectics, rhetoric, geometry, arithmetic, astronomy, music, medicine, and architecture. Consequently in the course of the seventh century the sciences of war, jurisprudence, and agriculture had been converted from general into professional studies. On the other hand in Varro the Hellenic training of youth appears already in all its completeness: by the side of the course of grammar, rhetoric, and philosophy, which had been introduced at an earlier period into Italy, we now find the course which had longer remained distinctively Hellenic, of geometry, arithmetic, astronomy, and music.(3) That astronomy more especially, which ministered, in the nomenclature of the stars, to the thoughtless erudite dilettantism of the age and, in its relations to astrology, to the prevailing religious delusions, was regularly and zealously studied by the youth in Italy, can be proved also otherwise; the astronomical didactic poems of Aratus, among all the works of Alexandrian literature, found earliest admittance into the instruction of Roman youth. To this Hellenic course there was added the study of medicine, which was retained from the older Roman instruction, and lastly that of architecture—indispensable to the genteel Roman of this period, who instead of cultivatingthe ground built houses and villas.
Greek Instruction Alexandrinism
In comparison with the previous epoch the Greek as well as the Latin training improved in extent and in scholastic strictness quite as much as it declined in purity and in refinement. The increasing eagerness after Greek lore gave to instruction of itself an erudite character. To explain Homer or Euripides was after all no art; teachers and scholars found their account better in handling the Alexandrian poems, which, besides, were in their spirit far more congenial to the Roman world of that day than the genuine Greek national poetry, and which, if they were not quite so venerable as the Iliad, possessed at any rate an age sufficiently respectable to pass as classics with schoolmasters. The love-poems of Euphorion, the "Causes" of Callimachus and his "Ibis," the comically obscure "Alexandra" of Lycophron contained in rich abundance rare vocables (-glossae-) suitable for being extracted and interpreted, sentences laboriously involved and difficult of analysis, prolix digressions full of mystic combinations of antiquated myths, and generally a store of cumbersome erudition of all sorts. Instruction needed exercises more and more difficult; these productions, in great part model efforts of schoolmasters, were excellently adapted to be lessons for model scholars. Thus the Alexandrian poems took a permanent place in Italian scholastic instruction, especially as trial-themes, and certainly promoted knowledge, although at the expense of taste and of discretion. The same unhealthy appetite for culture moreover impelled the Roman youths to derive their Hellenism as much as possible from the fountain-head. The courses of the Greek masters in Rome sufficed only for a first start; every one who wished to be able to converse heard lectures on Greek philosophy at Athens, and on Greek rhetoric at Rhodes, and made a literary and artistic tour through Asia Minor, where most of the old art-treasures of the Hellenes were still to be found on the spot, and the cultivation of the fine arts had been continued, although after a mechanical fashion; whereas Alexandria, more distant and more celebrated as the seat of the exact sciences, was far more rarely the point whither young men desirous of culture directed their travels.
Latin Instruction
The advance in Latin instruction was similar to that of Greek. This in part resulted from the mere reflex influence of the Greek, from which it in fact essentially borrowed its methods and its stimulants. Moreover, the relations of politics, the impulse to mount the orators' platform in the Forum which was imparted by the democratic doings to an ever-widening circle, contributed not a little to the diffusion and enhancement of oratorical exercises; "wherever one casts his eyes," says Cicero, "every place is full of rhetoricians." Besides, the writings of the sixth century, the farther they receded into the past, began to be more decidedly regarded as classical texts of the golden age of Latin literature, and thereby gave a greater preponderance to the instruction which was essentially concentrated upon them. Lastly the immigration and spreading of barbarian elements from many quarters and the incipient Latinizing of extensive Celtic and Spanish districts, naturally gave to Latin grammar and Latin instruction a higher importance than they could have had, so long as Latium only spoke Latin; the teacher of Latin literature had from the outset a different position in Comum and Narbo than he had in Praeneste and Ardea. Taken as a whole, culture was more on the wane than on the advance. The ruin of the Italian country towns, the extensive intrusion of foreign elements, the political, economic, and moral deterioration of the nation, above all, the distracting civil wars inflicted more injury on the language than all the schoolmasters of the world could repair. The closer contact with the Hellenic culture of the present, the more decided influence of the talkative Athenian wisdom and of the rhetoric of Rhodes and Asia Minor, supplied to the Roman youth just the very elements that were most pernicious in Hellenism. The propagandist mission which Latium undertook among the Celts, Iberians, and Libyans—proud as the task was— could not but have the like consequences for the Latin language as the Hellenizing of the east had had for the Hellenic. The fact that the Roman public of this period applauded the well arranged and rhythmically balanced periods of the orator, and any offence in language or metre cost the actor dear, doubtless shows that the insight into the mother tongue which was the reflection of scholastic training was becoming the common possession of an ever- widening circle. But at the same time contemporaries capable of judging complain that the Hellenic culture in Italy about 690 was at a far lower level than it had been a generation before; that opportunities of hearing pure and good Latin were but rare, and these chiefly from the mouth of elderly cultivated ladies; that the tradition of genuine culture, the good old Latin mother wit, the Lucilian polish, the cultivated circle of readers of the Scipionic age were gradually disappearing. The circumstance that the term -urbanitas-, and the idea of a polished national culture which it expressed, arose during this period, proves, not that it was prevalent, but that it was on the wane, and that people were keenly alive to the absence of this -urbanitas- in the language and the habits of the Latinized barbarians or barbarized Latins. Where we still meet with the urbane tone of conversation, as in Varro's Satires and Cicero's Letters, it is an echo of the old fashion which was not yet so obsolete in Reate and Arpinum as in Rome.
Germs of State Training-Schools
Thus the previous culture of youth remained substantially unchanged, except that—not so much from its own deterioration as from the general decline of the nation—it was productive of less good and more evil than in the preceding epoch. Caesar initiated a revolution also in this department. While the Roman senate had first combated and then at the most had simply tolerated culture, the government of the new Italo-Hellenic empire, whose essence in fact was -humanitas-, could not but adopt measures to stimulate it after the Hellenic fashion. If Caesar conferred the Roman franchise on all teachers of the liberal sciences and all the physicians of the capital, we may discover in this step a paving of the way in some degree for those institutions in which subsequently the higher bilingual culture of the youth of the empire was provided for on the part of the state, and which form the most significant expression of the new state of -humanitas-; and if Caesar had further resolved on the establishment of a public Greek and Latin library in the capital and had already nominated the most learned Roman of the age, Marcus Varro, as principal librarian, this implied unmistakeably the design of connecting the cosmopolitan monarchy with cosmopolitan literature.
Language The Vulgarism of Asia Minor
The development of the language during this period turned on the distinction between the classical Latin of cultivated society and the vulgar language of common life. The former itself was a product of the distinctively Italian culture; even in the Scipionic circle "pure Latin" had become the cue, and the mother tongue was spoken, no longer in entire naivete, but in conscious contradistinction to the language of the great multitude. This epoch opens with a remarkable reaction against the classicism which had hitherto exclusively prevailed in the higher language of conversation and accordingly also in literature—a reaction which had inwardly and outwardly a close connection with the reaction of a similar nature in the language of Greece. Just about this time the rhetor and romance-writer Hegesias of Magnesia and the numerous rhetors and literati of Asia Minor who attached themselves to him began to rebel against the orthodox Atticism. They demanded full recognition for the language of life, without distinction, whether the word or the phrase originated in Attica or in Caria and Phrygia; they themselves spoke and wrote not for the taste of learned cliques, but for that of the great public. There could not be much objection to the principle; only, it is true, the result could not be better than was the public of Asia Minor of that day, which had totally lost the taste for chasteness and purity of production, and longed only after the showy and brilliant. To say nothing of the spurious forms of art that sprang out of this tendency—especially the romance and the history assuming the form of romance—the very style of these Asiatics was, as may readily be conceived, abrupt and without modulation and finish, minced and effeminate, full of tinsel and bombast, thoroughly vulgar and affected; "any one who knows Hegesias," says Cicero, "knows what silliness is."
Roman Vulgarism Hortensius Reaction The Rhodian School
Yet this new style found its way also into the Latin world. When the Hellenic fashionable rhetoric, after having at the close of the previous epoch obtruded into the Latin instruction of youth,(4) took at the beginning of the present period the final step and mounted the Roman orators' platform in the person of Quintus Hortensius (640-704), the most celebrated pleader of the Sullan age, it adhered closely even in the Latin idiom to the bad Greek taste of the time; and the Roman public, no longer having the pure and chaste culture of the Scipionic age, naturally applauded with zeal the innovator who knew how to give to vulgarism the semblance of an artistic performance. This was of great importance. As in Greece the battles of language were always waged at first in the schools of the rhetoricians, so in Rome the forensic oration to a certain extent even more than literature set the standard of style, and accordingly there was combined, as it were of right, with the leadership of the bar the prerogative of giving the tone to the fashionable mode of speaking and writing. The Asiatic vulgarism of Hortensius thus dislodged classicism from the Roman platform and partly also from literature. But the fashion soon changed once more in Greece and in Rome. In the former it was the Rhodian school of rhetoricians, which, without reverting to all the chaste severity of the Attic style, attempted to strike out a middle course between it and the modern fashion: if the Rhodian masters were not too particular as to the internal correctness of their thinking and speaking, they at least insisted on purity of language and style, on the careful selection of words and phrases, and the giving thorough effect to the modulation of sentences.
Ciceronianism
In Italy it was Marcus Tullius Cicero (648-711) who, after having in his early youth gone along with the Hortensian manner, was brought by hearing the Rhodian masters and by his own more matured taste to better paths, and thenceforth addicted himself to strict purity of language and the thorough periodic arrangement and modulation of his discourse. The models of language, which, in this respect he followed, he found especially in those circles of the higher Roman society which had suffered but little or not at all from vulgarism; and, as was already said, there were still such, although they were beginning to disappear. The earlier Latin and the good Greek literature, however considerable was the influence of the latter more especially on the rhythm of his oratory, were in this matter only of secondary moment: this purifying of the language was by no means a reaction of the language of books against that of conversation, but a reaction of the language of the really cultivated against the jargon of spurious and partial culture. Caesar, in the department of language also the greatest master of his time, expressed the fundamental idea of Roman classicism, when he enjoined that in speech and writing every foreign word should be avoided, as rocks are avoided by the mariner; the poetical and the obsolete word of the older literature was rejected as well as the rustic phrase or that borrowed from the language of common life, and more especially the Greek words and phrases which, as the letters of this period show, had to a very great extent found their way into conversational language. Nevertheless this scholastic and artificial classicism of the Ciceronian period stood to the Scipionic as repentance to innocence, or the French of the classicists under Napoleon to the model French of Moliere and Boileau; while the former classicism had sprung out of the full freshness of life, the latter as it were caught just in right time the last breath of a race perishing beyond recovery. Such as it was, it rapidly diffused itself. With the leadership of the bar the dictatorship of language and taste passed from Hortensius to Cicero, and the varied and copious authorship of the latter gave to this classicism—what it had hitherto lacked—extensive prose texts. Thus Cicero became the creator of the modern classical Latin prose, and Roman classicism attached itself throughout and altogether to Cicero as a stylist; it was to the stylist Cicero, not to the author, still less to the statesman, that the panegyrics—extravagant yet not made up wholly of verbiage—applied, with which the most gifted representatives of classicism, such as Caesar and Catullus, loaded him.
The New Roman Poetry
They soon went farther. What Cicero did in prose, was carried out in poetry towards the end of the epoch by the new Roman school of poets, which modelled itself on the Greek fashionable poetry, and in which the man of most considerable talent was Catullus. Here too the higher language of conversation dislodged the archaic reminiscences which hitherto to a large extent prevailed in this domain, and as Latin prose submitted to the Attic rhythm, so Latin poetry submitted gradually to the strict or rather painful metrical laws of the Alexandrines; e. g. from the time of Catullus, it is no longer allowable at once to begin a verse and to close a sentence begun in the verse preceding with a monosyllabic word or a dissyllabic one not specially weighty.
Grammatical Science
At length science stepped in, fixed the law of language, and developed its rule, which was no longer determined on the basis of experience, but made the claim to determine experience. The endings of declension, which hitherto had in part been variable, were now to be once for all fixed; e. g. of the genitive and dative forms hitherto current side by side in the so-called fourth declension (-senatuis- and -senatus-, -senatui-, and -senatu-) Caesar recognized exclusively as valid the contracted forms (-us and -u). In orthography various changes were made, to bring the written more fully into correspondence with the spoken language; thus the -u in the middle of words like -maxumus- was replaced after Caesar's precedent by -i; and of the two letters which had become superfluous, -k and -q, the removal of the first was effected, and that of the second was at least proposed. The language was, if not yet stereotyped, in the course of becoming so; it was not yet indeed unthinkingly dominated by rule, but it had already become conscious of it. That this action in the department of Latin grammar derived generally its spirit and method from the Greek, and not only so, but that the Latin language was also directly rectified in accordance with Greek precedent, is shown, for example, by the treatment of the final -s, which till towards the close of this epoch had at pleasure passed sometimes as a consonant, sometimes not as one, but was treated by the new- fashioned poets throughout, as in Greek, as a consonantal termination. This regulation of language is the proper domain of Roman classicism; in the most various ways, and for that very reason all the more significantly, the rule is inculcated and the offence against it rebuked by the coryphaei of classicism, by Cicero, by Caesar, even in the poems of Catullus; whereas the older generation expresses itself with natural keenness of feeling respecting the revolution which had affected the field of language as remorselessly as the field of politics.(5) But while the new classicism—that is to say, the standard Latin governed by rule and as far as possible placed on a parity with the standard Greek— which arose out of a conscious reaction against the vulgarism intruding into higher society and even into literature, acquired literary fixity and systematic shape, the latter by no means evacuated the field. Not only do we find it naively employed in the works of secondary personages who have drifted into the ranks of authors merely by accident, as in the account of Caesar's second Spanish war, but we shall meet it also with an impress more or less distinct in literature proper, in the mime, in the semi-romance, in the aesthetic writings of Varro; and it is a significant circumstance, that it maintains itself precisely in the most national departments of literature, and that truly conservative men, like Varro, take it into protection. Classicism was based on the death of the Italian language as monarchy on the decline of the Italian nation; it was completely consistent that the men, in whom the republic was still living, should continue to give to the living language its rights, and for the sake of its comparative vitality and nationality should tolerate its aesthetic defects. Thus then the linguistic opinions and tendencies of this epoch are everywhere divergent; by the side of the old-fashioned poetry of Lucretius appears the thoroughly modern poetry of Catullus, by the side of Cicero's well-modulated period stands the sentence of Varro intentionally disdaining all subdivision. In this field likewise is mirrored the distraction of the age.