History of Modern Philosophy · Chapter 32%part II. From Kant to the Present Time.% (11)
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The parallelism of the potencies of nature, as we have developed it by leaving out of account the numerous differences between the various expositions of the Naturphilosophie, may be shown by a table:
I. UNIVERSAL NATURE. II. INORGANIC NATURE III. ORGANIC NATURE. (ORGANIZING) 3. Copula 3. Organization or Life. | ___^___ /Chemical \ G | /Sensi- Man. / \ |Process (3d| a | |bility. __^__ 2. Light 2.Dynamical|Dimen- | l | | / \ (Soul). Process. < sion) | v | |Irritabi- Male
b. At- \ (Determi- |Electri- | a |_|lity. (=Light) traction.| nate |city (2d Di->n |Animal. >1. Gra- matter.) | mension.) | i | | vity 1. Indeter- |Magnetism | s |Repro- Female a. Re- | (Body) minate |(1st Di- | m |duction (-Gravity) pulsion / matter. \ mension.) / \ Plant.
%1b. Transcendental Philosophy.%
The philosophy of nature explained the products of nature teleologically, deduced them from the concept or the mission of nature, by ignoring the mechanical origin of physical phenomena and inquiring into the significance of each stage in nature in view of this ideal meaning of the whole. It asks what is the outcome of the chemical process for the whole of nature, what is given by electricity, by magnetism, etc.—what part of the general aim of nature is attained, is realized through this or that group of phenomena. The philosophy of spirit given in the System of Transcendental Idealism, 1800, finds itself confronted by corresponding questions concerning the phenomena of intelligence, of morals, and of art. Here again Schelling does not trace out the mechanics of the soul-life, but is interested only in the meaning, in the teleological significance of the psychical functions. His aim is a constructive psychology in the Fichtean sense, a history of consciousness, and the execution of his design as well closely follows the example of the Wissenschaftslehre.
Since truth is the agreement of thought and its object, every cognition necessarily implies the coming together of a subjective and an objective factor. The problem of this coming together may be treated in two ways. With the philosophy of nature we may start from the object and observe how intelligence is added to nature. The transcendental philosophy takes the opposite course, it takes its position with the subject, and asks, How is there added to intelligence an object corresponding to it? The transcendental philosopher has need of intellectual intuition in order to recognize the original object-positing actions of the ego, which remain concealed from common consciousness, sunk in the outcome of these acts. The theoretical part of the system explains the representation of objective reality (the feeling connected with certain representations that we are compelled to have them), from pure self-consciousness, whose opposing moments, a real and an ideal force, limit each other by degrees,—and follows the development of spirit in three periods ("epochs"). The first of these extends from sensation, in which the ego finds itself limited, to productive intuition, in which a thing in itself is posited over against the ego and the phenomenon between the two; the second, from this point to reflection (feeling of self, outer and inner intuition together with space and time, the categories of relation as the original categories); the third, finally, through judgment, wherein intuition and concept are separated as well as united, up to the absolute act of will. Willing is the continuation and completion of intuition;[1] intuition was unconscious production, willing is conscious production. It is only through action that the world becomes objective for us, only through interaction with other active intelligences that the ego attains to the consciousness of a real external world, and to the consciousness of its freedom. The practical part follows the will from impulse (the feeling of contradiction between the ideal and the object) through the division into moral law and resistant natural impulse up to arbitrary will. Observations on legal order, on the state, and on history are added as "supplements." The law of right, by which unlawful action is directed against itself, is not a moral, but a natural order, which operates with blind necessity. The state, like law, is a product of the genus, and not of individuals. The ideal of a cosmopolitan legal condition is the goal of history, in which caprice and conformity to law are one, in so far as the conscious free action of individuals subserves an unconscious end prescribed by the world-spirit. History is the never completed revelation of the absolute (of the unity of the conscious and the unconscious) through human freedom. We are co-authors in the historical world-drama, and invent our own parts. Not until the third (the religious) period, in which he reveals himself as "providence," will God be; in the past (the tragical) period, in which the divine power was felt as "fate," and in the present (the mechanical) period, in which he appears as the "plan of nature," God is not, but is only becoming.
[Footnote 1: With this transformation of the antithesis between knowledge and volition into a mere difference in degree, Schelling sinks back to the standpoint of Leibnitz. In all the idealistic thinkers who start from Kant we find the endeavor to overcome the Critical dualism of understanding and will, as also that between intellect and sensibility. Schiller brings the contrary impulses of the ego into ultimate harmonious union in artistic activity. Fichte traces them back to a common ground; Schelling combines both these methods by extolling art as a restoration of the original identity. Hegel reduces volition to thought, Schopenhauer makes intellect proceed from will.]
An interesting supplement to the Fichtean philosophy is furnished by the third, the aesthetic, part of the transcendental idealism, which makes use of Kant's theory of the beautiful in a way similar to that in which the philosophy of nature had availed itself of his theory of the organic. Art is the higher third in which the opposition between theoretical and practical action, the antithesis of subject and object, is removed; in which cognition and action, conscious and unconscious activity, freedom and necessity, the impulse of genius and reflective deliberation are united. The beautiful, as the manifestation of the infinite in the finite, shows the problem of philosophy, the identity of the real and the ideal, solved in sensuous appearance. Art is the true organon and warrant of philosophy; she opens up to philosophy the holy of holies, is for philosophy the supreme thing, the revelation of all mysteries. Poesy and philosophy (the aesthetic intuition of the artist and the intellectual intuition of the thinker) are most intimately related; they were united in the old mythology—why should not this repeat itself in the future?
%2. System of Identity.%
The assertion which had already been made in the first period that "nature and spirit are fundamentally the same," is intensified in the second into the proposition, "The ground of nature and spirit, the absolute, is the identity of the real and the ideal," and in this form is elevated into a principle. As the absolute is no longer employed as a mere ground of explanation, but is itself made the object of philosophy, the doctrine of identity is added to the two co-ordinate disciplines, the philosophy of nature and the philosophy of spirit, as a higher third, which serves as a basis for them, and in Schelling's exposition of which several phases must be distinguished.[1]
[Footnote 1: The philosophy of identity is given in the following treatises: Exposition of my System of Philosophy, 1801; Further Expositions of the System of Philosophy, 1802; Bruno, or on the Divine and Natural Principle of Things, 1803; Lectures on the Method of Academical Study, 1803; Aphorisms by way of Introduction to the Philosophy of Nature, Aphorisms on the Philosophy of Nature (both in the Jahrbücher für Medizin), 1806. Besides these the following also bear on this doctrine: the additions to the second edition of the Ideas, 1803, and the Exposition, against Fichte, 1806.]
Following Spinoza, whom he at first imitated even in the geometrical method of proof, Schelling teaches that there are two kinds of knowledge, the philosophical knowledge of the reason and the confused knowledge of the imagination, and, as objects of these, two forms of existence, the infinite, undivided existence of the absolute, and the finite existence of individual things, split up into multiplicity and becoming. The manifold and self-developing things of the phenomenal world owe their existence to isolating thought alone; they possess as such no true reality, and speculation proves them void. While things appear particular to inadequate representation, the philosopher views them sub specie aeterni, in their per se, in their totality, in the identity, as Ideas. To construe things is to present them as they are in God. But in God all things are one; in the absolute all is absolute, eternal, infinitude itself. (Accord-to Hegel's parody, the absolute is the night, in which all cows are black.)
The world-ground appears as nature and spirit; yet in itself it is neither the one nor the other, but the unity of both which is raised above all contrariety, the indifference of objective and subjective. Although amid the finitude of the things of the world the self-identity of the absolute breaks up into a plurality of self-developing individual existences, yet even in the phenomenal world of individuals the unity of the ground is not entirely lost: each particular existence is a definite expression of the absolute, and to it as such the character of identity belongs, though in a diminished degree and mingled with difference (Bruno's "monads"). The world-ground is absolute, the individual thing is relative, identity and totality; nothing exists which is merely objective or merely subjective; everything is both, only that one or other of these two factors always predominates. This Schelling terms quantitative difference: the phenomena of nature, like the phenomena of spirit, are a unity of the real and the ideal, only that in the former there is a preponderance of the real, in the latter a preponderance of the ideal.
At first Schelling, in Neoplatonic fashion, maintained the existence of another intermediate region between the spheres of the infinite and the finite: absolute knowing or the self-knowledge of the identity. In this, as the "form" of the absolute, the objective and the subjective are not absolutely one, as they are in the being or "essence" of the absolute, but ideally (potentially) opposed, though one realiter. Later he does away with this distinction also, as existing for reflection alone, not for rational intuition, and outbids his earlier determinations concerning the simplicity of the absolute with the principle, that it is not only the unity of opposites, but also the unity of the unity and the opposition or the identity of the identity, in which fanciful description the dialogue Bruno pours itself forth. A further alteration is brought in by characterizing the absolute as the identity of the finite and the infinite, and by equating the finite with the real or being, the infinite with the ideal or knowing. With this there is joined a philosophical interpretation of the Trinity akin to Lessing's. In the absolute or eternal the finite and the infinite are alike absolute. God the Father is the eternal, or the unity of the finite and the infinite; the Son is the finite in God (before the falling away); the Spirit is the infinite or the return of the finite into the eternal.
In the construction of the real series Schelling proceeds still more schematically and analogically than in the Naturphilosophie of the first period, the contents of which are here essentially reproduced. With this is closely connected his endeavor, in correspondence with the principles of the theory of identity, to show in every phenomenon the operation of all three moments of the absolute. In each natural product all three "potencies" or stages, gravity A(^1), light A(^2), and organization A(^3), are present, only in subordination to one of their number. Since the third potency is never lacking, all is organic; that which appears to us as inorganic matter is only the residuum left over from organization, that which could become neither plant nor animal. New here is the cohesion-series of Steffens (the phenomenon of magnetism), in which nitrogen forms the south pole, carbon the north pole, and iron the point of indifference, while oxygen, hydrogen, and water represent the east pole, west pole, and indifference point in electrical polarity. In the organic world plants represent the carbon pole, animals the nitrogen pole; the former is the north pole, the latter the south. Moreover, the points of indifference reappear: the plant corresponds to water, the animal to iron. Schelling was far outdone in fantastic analogies of this kind by his pupils, especially by Oken, who in his Sketch of the Philosophy of Nature, 1805, compares the sense of hearing, for example, to the parabola, to a metal, to a bone, to the bird, to the mouse, and to the horse. As nature was the imaging of the infinite (unity or essence) into the finite (plurality or form), so spirit is the taking up of the finite into the infinite. In the spiritual realm also all three divine original potencies are every, where active, though in such a way that one is dominant. In intuition (sensation, consciousness, intuition, each in turn thrice divided) the infinite and the eternal are subordinated to the finite; in thought or understanding (concept, judgment, inference, each in three kinds) the finite and the eternal are subordinated to the infinite; in reason (which comprehends all under the form of the absolute) the finite and the infinite are subordinated to the eternal. Intuition is finite cognition, thought infinite cognition, reason eternal cognition. The forms of the understanding do not suffice for the knowledge of reason; common logic with its law of contradiction has no binding authority for speculation, which starts with the equalization of opposites. In the Aphorisms by way of Introduction science, religion, and art figure as stages of the ideal all, in correspondence with the potencies of the real all—matter, motion, and organization. Nature culminates in man, history in the state. Reason, philosophy, is the re-establishment of identity, the return of the absolute to itself.
Unconditioned knowledge, as Schelling maintains in his encyclopedia, i.e., his Lectures on the Method of Academical Study, is the presupposition of all particular knowledge. The function of universities is to maintain intact the connection between particular knowledge and absolute knowledge. The three higher faculties correspond to the three potencies in the absolute: Natural Science and Medicine to the real or finite; History and Law to the ideal or infinite; Theology to the eternal or the copula. There is further a faculty of arts, the so-called Philosophical Faculty, which imparts whatever in philosophy is teachable. The two lectures on theology (viii. and ix.) are especially important. There are two forms of religion, one of which discovers God in nature, while the other finds him in history; the former culminates in the Greek religion, the latter in the Christian, and with the founding of this the third period of history (which Schelling had previously postponed into the future), the period of providence begins. In Christianity mythology is based on religion, not religion on mythology, as was the case in heathenism. The speculative kernel of Christianity is the incarnation of God, already taught by the Indian sages; this, however, is not to be understood as a single event in time, but as eternal. It has been a hindrance to the development of Christianity that the Bible, whose value is far below that of the sacred books of India, has been more highly prized than that which the patristic thinking succeeded in making out of its meager contents.
If, finally, we compare Schelling's system of identity with its model, the system of Spinoza, two essential differences become apparent. Although both thinkers start from a principiant equal valuation of the two phenomenal manifestations of the absolute, nature and spirit, Spinoza tends to posit thought in dependence on extension (the soul represents what the body is), while in Schelling, conversely, the Fichtean preference of spirit is still potent (the state and art stand nearer to the absolute identity than the organism, although, principiantly considered, the greatest possible approximation to the equilibrium of the real and the ideal is as much attained in the one as in the other). The second difference lies in the fact that the idea of development is entirely lacking in Spinoza, while in Schelling it is everywhere dominant. It reminds one of Lessing and Herder, who also attempted to combine Spinozistic and Leibnitzian elements.
%3a. Doctrine of Freedom.%
The system of identity had, with Spinoza, distinguished two worlds, the real world of absolute identity and the imagined world of differentiated and changeable individual things; it had traced back the latter to the former as its ground, but had not deduced it from the former. Whence, then, the imagination which, instead of the unchangeable unity, shows us the changing manifold? Whence the imperfections of the finite, whence evil? The pantheism of Spinoza is inseparably connected with determinism, which denies evil without explaining it. Evil and finitude demand explanation, not denial, and this without the abandonment of pantheism. But explanation by what? By the absolute, for besides the absolute there is naught. How, then, must the pantheistic doctrine of the absolute be transformed in order that the fact of evil and the separate existence of the finite may become comprehensible? To this task are devoted the Inquiries into the Nature of Human Freedom (Philosophical Works, vol. i., 1809, with which should be compared the Memorial of Jacobi, 1812, and the Answer to Eschenmayer, 1813).
As early as in the Bruno, the problem occasionally emerges why matters do not rest with the original infinite unity of the absolute, why the finite breaks away from the identical primal ground. The possibility of the separation, it is answered, lies in the fact that the finite is like the infinite realiter, and yet, ideally, is different from it; the actuality of the coming forth, however, lies in the non-deducible self-will of the finite. Then after Eschenmayer[1] (Philosophy in its Transition to Not-philosophy, 1803) had characterized the procession of the Ideas out of the Godhead as an impenetrable mystery for thought, before which philosophy must yield to faith, Schelling, in the essay Religion and Philosophy, 1804, goes more deeply into the problem. The origin of the sense-world is conceivable only as a breaking away, a spring, a falling away, which consists in the soul's grasping itself in its selfhood, in its subordination of the infinite in itself to the finite, and in its thus ceasing to be in God. The procession of the world from the infinite is a free act, a fact which can only be described, not deduced as necessary. The counterpart of this attainment of independence on the part of things or creation is history as the return of the world to its source. They are related to each other as the fall to redemption. Both the dismission of the world and its reception back, together with the intervening development, are, however, events needed by God himself in order to become actual God: He develops through the world. (A similar thought was not unknown in the Middle Ages: if God is to give a complete revelation of himself he must make known his grace; and this presupposes sin. As the occasion of divine grace, the fall is a happy, saving fault; without it God could not have revealed himself as gracious, as forgiving, hence not completely.) Schelling's study of Jacob Böhme, to which he was led by Baader, essentially contributed to the concentration of his thought on this point. The Exposition of the True Relation, etc., already distinctly betrays the influence of this mystic. In correspondence with Böhme's doctrine that God is living God only through his inclusion of negation in himself, it is here maintained: A being can manifest itself only when it is not merely one, but has another, an opposition (the many), in itself, whereby it is revealed to itself as unity. With the addition of certain Kantian ideas, in particular the idea of transcendental freedom and the intelligible character, Schelling's theosophy now assumes the following form:
The only way to guard against the determinism and the lifeless God of Spinoza is to assume something in God which is not God himself, to distinguish between God as existent and that which is merely the ground of his existence or "nature in God." In God also the perfect proceeds from the imperfect, he too develops and realizes himself. The actual, perfect God, who is intelligence, wisdom, goodness, is preceded by something which is merely the possibility of all this, an obscure, unconscious impulse toward self-representation. For in the last analysis there is no being but willing; to willing alone belong the predicates of the primal being, groundlessness, eternity, independence of time, self-affirmation. This "ground of existence" is an obscure "longing" to give birth to self, an unconscious impulse to become conscious; the goal of this longing is the "understanding," the Logos, the Word, wherein God becomes revealed to self. By the self-subordination of this longing to the understanding as its matter and instrument, God becomes actual God, becomes spirit and love. The operation of the light understanding on the dark nature-will consists in a separation of forces, whence the visible world proceeds. Whatever in the latter is perfect, rational, harmonious, and purposive is the work of the understanding; the irrational remainder, on the other hand, conflict and lawlessness, abortion, sickness and death, originates in the dark ground. Each thing has two principles in it: its self-will it receives from nature in God, yet, at the same time, as coming from the divine understanding, it is the instrument of the universal will. In God the light and dark principles stand in indissoluble unity, in man they are separable. The freedom of man's will makes him independent of both principles; going over from truth to falsehood, he may strive to make his selfhood supreme and to reduce the spiritual in him to the level of a means, or—with divine assistance—continuing in the center, he may endeavor to subordinate the particular will to the will of love. Good consists in overcoming resistance, for in every case a thing can be revealed only through its opposite. If man yields to temptation it is his own guilty choice. Evil is not merely defect, privation, but something positive, selfhood breaking away, the reversal of the rightful order between the particular and the universal will. The possibility of a separation of the two wills lies in the divine ground (it is "permitted" in order that by overmastering the self-will the will of love may approve itself), the actuality of evil is the free act of the creature. Freedom is to be conceived, in the Kantian sense, as equally far removed from chance or caprice and from compulsion: Man chooses his own non-temporal, intelligible nature; he predestinates himself in the first creation, i.e., from eternity, and is responsible for his actions in the sense-world, which are the necessary results of that free primal act.
[Footnote 1: K. Ad. Eschenmayer was originally a physician, then, 1811-36, professor of philosophy in Tübingen, and died in 1852 at Kirchheim unter Teck.]
As in nature and in the individual, so also in the history of mankind, the two original grounds of things do battle with one another. The golden age of innocence, of happy indecision and unconsciousness concerning sin, when neither good nor evil yet was, was followed by a period of the omnipotence of nature, in which the dark ground of existence ruled alone, although it did not make itself felt as actual evil until, in Christianity, the spiritual light was born in personal form. The subsequent conflict of good against evil, in which God reveals himself as spirit, leads toward a state wherein evil will be reduced to the position of a potency and everything subordinated to spirit, and thus the complete identity of the ground of existence and the existing God be brought about.
Besides this after-reconciliation of the two divine moments, Schelling recognizes another, original unity of the two. The not yet unfolded unity of the beginning (God as Alpha) he terms indifference or groundlessness; the more valuable unity of the end, attained by unfolding (God as Omega) is called identity or spirit. In the former the contraries are not yet present; in the latter they are present no longer. The groundless divides into two equally eternal beginnings, nature and light, or longing and understanding, in order that the two may become one in love, and thereby the absolute develop into the personal God. In this way Schelling endeavors to overcome the antithesis between naturalism and theism, between dualism and pantheism, and to remove the difficulties which arise for pantheism from the fact of evil, as well as from the concepts of personality and of freedom.
In the two moments of the absolute (nature in God—personal spirit) we recognize at once the antithesis of the real and ideal which was given in the philosophy of identity. The chief difference between the mystical period and the preceding one consists in the fact that the absolute itself is now made to develop (from indifference to identity, from the neither-nor to the as-well-as of the antithesis), and that there is conceded to the sense-world a reality which is more than apparent, more than merely present for imagination. That which facilitated this rapid, almost unceasing change of position for Schelling, and which at the same time concealed the fact from him, was, above all, the ambiguous and variable meaning of his leading concepts. The "objective," for example, now signifies unconscious being, becoming, and production, now represented reality, now the real, in so far as it is not represented, but only is. "God" sometimes means the whole absolute, sometimes only the infinite, spiritual moment in the absolute. Scarcely a single term is sharply defined, much less consistently used in a single meaning.
%3b. Philosophy of Mythology and Revelation.%
Once again Schelling is ready with a new statement of the problem. Philosophy is the science of the existent. In this, however, a distinction is to be made between the what (quid sit) and the that (quod sit), or between essence and existence. The apprehension of the essence, of the concept, is the work of reason, but this does not go as far as actual being. Rational philosophy cognizes only the universal, the possible, the necessary truths (whose contradictory is unthinkable), but not the particular and factual. This philosophy can only assert: If anything exists it must conform to these laws; existence is not given with the what. Hegel has ignored this distinction between the logical and the actual, has confused the rational and the real. Even the system of identity was merely rational, i.e., negative, philosophy, to which there must be added, as a second part, a positive or existential philosophy, which does not, like the former, rise to the highest principle, to God, but starts from this supreme Idea and shows its actuality.
The content of this phase of Schelling's thought[1] was so unfruitful, and its influence so small, that brief hints concerning it must here suffice. First of all, the doctrine of the divine potencies and of creation is repeated in altered form, and then there is given a philosophy of the history of religion as a reflection of the theogonic process in human consciousness.
[Footnote 1: On Schelling's negative and positive philosophy, published in the four volumes of the second division of the Works, cf. Karl Groos, Die reine Vernunftwissenschaft, systematische Darstellung von Schellings negativer Philosophie, 1889; Konstantin Frantz, Schellings positive Philosophie, in three parts, 1879-80; Ed. von Hartmann, Gesammelte Studien und Aufsätze, 1876, p. 650 seq.; Ad. Planck, Schellings nachgelassene Werke, 1858; also the essay by Heyder, referred to above].
The potencies are now called the infinite ability to be (inactive will, subject), pure being (being without potentiality, object), and spirit, which is free from the one-sidednesses of mere potentiality and of mere being, and master of itself (subject-object); to these is added, further—not as a fourth, but as that which has the three predicates and is wholly in each—the absolute proper, as the cause and support of these attributes. The original unity of the three forms is dissolved, as the first raises itself out of the condition of a mere potency and withdraws itself from pure being in order to exist for itself; the tension extends itself to the two others—the second now comes out from its selflessness, subdues the first, and so leads the third back to unity. In creation the three potencies stand related as the unlimited Can-be, the limiting Must-be, and the Ought-to-be, or operate as material, formal, and final causes, all held in undivided combination by the soul. It was not until the end of creation that they became personalities. Man, in whom the potencies come to rest, can divide their unity again; his fall calls forth a new tension, and thereby the world becomes a world outside of God. History, the process o progressive reconciliation between the God-estranged world and God, passes through two periods—heathenism, in which the second person works as a natural potency, and Christianity, in which it works with freedom. In the discussion of these positive philosophy becomes a philosophy of mythology and revelation. The irresistible force of mythological ideas is explained by the fact that the gods are not creations of the fancy, but real powers, namely, these potencies, which form the substance of human conciousness.
The history of religion has for its starting-point the relative monotheism of humanity in its original unity, and for its goal the absolute monotheism of Christianity. With the separation into nations polytheism arises. This is partly simultaneous polytheism (a plurality of gods under a chief god), partly successive polytheism (an actual plurality of divinities, changing dynasties of several chief gods), and develops from star worship or Sabeism up to the religion of the Greeks. The Greek mysteries form the transition from mythology to revelation. While in the mythological process one or other of the divine potencies (Ground, Son, Spirit) was always predominant, in Christianity they return into unity. The true monotheism of revelation shows God as an articulated unity, in which the opposites are contained, as being overcome. The person of Christ constitutes the content of Christianity, who, in his incarnation and sacrificial death, yields up the independence out of God which had come to him through the fall of man. The three periods in the development of the Church (real, substantial unity—ideality or freedom—the reconciliation of the two) were foreshadowed in the chief apostles: Peter, with his leaning toward the past, represents the Papal Church; Paul the thinker the Protestant Church; and the gentle John the Church of the future.