A Further Contribution to the Study of the Mortuary Customs of the North American Indians · Chapter 22Mourning

This chapter is not translated yet. You are reading the original.

One of the most carefully described scenes of mourning at the death of a chief of the Crows is related in the life of Beckwourth,86 who for many years lived among this people, finally attaining great distinction as a warrior.

I dispatched a herald to the village to inform them of the head chief’s death, and then, burying him according to his directions, we slowly proceeded homewards. My very soul sickened at the contemplation of the scenes that would be enacted at my arrival. When we drew in sight of the village, we found every lodge laid prostrate. We entered amid shrieks, cries, and yells. Blood was streaming from every conceivable part of the bodies of all who were old enough to comprehend their loss. Hundreds of fingers were dismembered; hair torn from the head lay in profusion about the paths; wails and moans in every direction assailed the ear, where unrestrained joy had a few hours before prevailed. This fearful mourning lasted until evening of the next day. ***

A herald having been dispatched to our other villages to acquaint them with the death of our head chief, and request them to assemble at the Rose Bud, in order to meet our village and devote themselves to a general time of mourning, there met, in conformity to the summons, over ten thousand Crows at the place indicated. Such a scene of disorderly, vociferous mourning, no imagination can conceive nor any pen portray. Long Hair cut off a large roll of his hair; a thing he was never known to do before. The cutting and hacking of human flesh exceeded all my previous experience; fingers were dismembered as readily as twigs, and blood was poured out like water. Many of the warriors would cut two gashes nearly the entire length of their arm; then, separating the skin from the flesh at one end, would grasp it in their other hand, and rip it asunder to the shoulder. Others would carve various devices upon their breasts and shoulders, and raise the skin in the same manner to make the scars show to advantage after the wound was healed. Some of their mutilations were ghastly, and my heart sickened to look at them, but they would not appear to receive any pain from them.

It should be remembered that many of Beckwourth’s statements are to be taken cum grana salis.

From I. L. Mahan, United States Indian agent for the Chippewas of Lake Superior, Red Cliff, Wisconsin, the following detailed account of mourning has been received:

There is probably no people that exhibit more sorrow and grief for their dead than they. The young widow mourns the loss of her husband; by day as by night she is heard silently sobbing; she is a constant visitor to the place of rest; with the greatest reluctance will she follow the raised camp. The friends and relatives of the young mourner will incessantly devise methods to distract her mind from the thought of her lost husband. She refuses nourishment, but as nature is exhausted she is prevailed upon to partake of food; the supply is scant, but on every occasion the best and largest proportion is deposited upon the grave of her husband. In the mean time the female relatives of the deceased have, according to custom, submitted to her charge a parcel made up of different cloths ornamented with bead-work and eagle’s feathers, which she is charged to keep by her side—the place made vacant by the demise of her husband—a reminder of her widowhood. She is therefore for a term of twelve moons not permitted to wear any finery, neither is she permitted to slicken up and comb her head; this to avoid attracting attention. Once in a while a female relative of deceased, commiserating with her grief and sorrow, will visit her and voluntarily proceed to comb out the long-neglected and matted hair. With a jealous eye a vigilant watch is kept over her conduct during the term of her widowhood, yet she is allowed the privilege to marry, any time during her widowhood, an unmarried brother or cousin, or a person of the same Dodem [sic] (family mark) of her husband.

At the expiration of her term, the vows having been faithfully performed and kept, the female relatives of deceased assemble and, with greetings commensurate to the occasion, proceed to wash her face, comb her hair, and attire her person with new apparel, and otherwise demonstrating the release from her vow and restraint. Still she has not her entire freedom. If she will still refuse to marry a relative of the deceased and will marry another, she then has to purchase her freedom by giving a certain amount of goods and whatever else she might have manufactured during her widowhood in anticipation of the future now at hand. Frequently, though, during widowhood the vows are disregarded and an inclination to flirt and play courtship or form an alliance of marriage outside of the relatives of the deceased is being indulged, and when discovered the widow is set upon by the female relatives, her slick braided hair is shorn close up to the back of her neck, all her apparel and trinkets are torn from her person, and a quarrel frequently results fatally to some member of one or the other side.

Thomas L. McKenney87 gives a description of the Chippewa widow which differs slightly from the one above:

I have noticed several women here carrying with them rolls of clothing. On inquiring what these imported, I learn that they are widows who carry them, and that these are badges of mourning. It is indispensable, when a woman of the Chippeway Nation loses her husband, for her to take of her best apparel—and the whole of it is not worth a dollar—and roll it up, and confine it by means of her husband’s sashes; and if he had ornaments, these are generally put on the top of the roll, and around it is wrapped a piece of cloth. This bundle is called her husband, and it is expected that she is never to be seen without it. If she walks out she takes it with her; if she sits down in her lodge, she places it by her side. This badge of widowhood and of mourning the widow is compelled to carry with her until some of her late husband’s family shall call and take it away, which is done when they think she has mourned long enough, and which is generally at the expiration of a year. She is then, but not before, released from her mourning, and at liberty to marry again. She has the privilege to take this husband to the family of the deceased and leave it, but this is considered indecorous, and is seldom done. Sometimes a brother of the deceased takes the widow for his wife at the grave of her husband, which is done by a ceremony of walking her over it. And this he has a right to do; and when this is done she is not required to go into mourning; or, if she chooses, she has the right to go to him, and he is bound to support her.

I visited a lodge to-day, where I saw one of these badges. The size varies according to the quantity of clothing which the widow may happen to have. It is expected of her to put up her best and wear her worst. The “husband” I saw just now was 30 inches high and 18 inches in circumference.

I was told by the interpreter that he knew a woman who had been left to mourn after this fashion for years, none of her husband’s family calling for the badge or token of her grief. At a certain time it was told her that some of her husband’s family were passing, and she was advised to speak to them on the subject. She did so, and told them she had mourned long and was poor; that she had no means to buy clothes, and her’s being all in the mourning badge, and sacred, could not be touched. She expressed a hope that her request might not be interpreted into a wish to marry; it was only made that she might be placed in a situation to get some clothes. She got for answer, that “they were going to Mackinac, and would think of it.” They left her in this state of uncertainty, but on returning, and finding her faithful still, they took her “husband” and presented her with clothing of various kinds. Thus was she rewarded for her constancy and made comfortable.

The Choctaw widows mourn by never combing their hair for the term of their grief, which is generally about a year. The Chippeway men mourn by painting their faces black.

I omitted to mention that when presents are going round, the badge of mourning, this “husband” comes in for an equal share, as if it were the living husband.

A Chippeway mother, on losing her child, prepares an image of it in the best manner she is able, and dresses it as she did her living child, and fixes it in the kind of cradle I have referred to, and goes through the ceremonies of nursing it as if it were alive, by dropping little particles of food in the direction of its mouth, and giving it of whatever the living child partook. This ceremony also is generally observed for a year.

Figure 32 represents the Chippewa widow holding in her arms the substitute for the dead husband.

The substitution of a reminder for the dead husband, made from rags, furs, and other articles, is not confined alone to the Chippewas, other tribes having the same custom. In some instances the widows are obliged to carry around with them, for a variable period, a bundle containing the bones of the deceased consort.

Similar observances, according to Bancroft,88 were followed by some of the Central American tribes of Indians, those of the Sambos and Mosquitos being as follows:

The widow was bound to supply the grave of her husband for a year, after which she took up the bones and carried them with her for another year, at last placing them upon the roof of her house, and then only was she allowed to marry again.

On returning from the grave the property of the deceased is destroyed, the cocoa palms being cut down, and all who have taken part in the funeral undergo a lustration in the river. Relatives cut off the hair, the men leaving a ridge along the middle from the nape of the neck to the forehead. Widows, according to some old writers, after supplying the grave with food for a year take up the bones and carry them on the back in the daytime, sleeping with them at night for another year, after which they are placed at the door or upon the house-top. On the anniversary of deaths, friends of the deceased hold a feast, called seekroe, at which large quantities of liquor are drained to his memory. Squier, who witnessed the ceremonies on an occasion of this kind, says that males and females were dressed in ule cloaks fantastically painted black and white, while their faces were correspondingly streaked with red and yellow, and they performed a slow walk around, prostrating themselves at intervals and calling loudly upon the dead and tearing the ground with their hands. At no other time is the departed referred to, the very mention of his name being superstitiously avoided. Some tribes extend a thread from the house of death to the grave, carrying it in a straight line over every obstacle. Fröebel states that among the Woolwas all property of the deceased is buried with him, and that both husband and wife cut the hair and burn the hut on the death of either, placing a gruel of maize upon the grave for a certain time.

Benson89 gives the following account of the Choctaws’ funeral ceremonies, embracing the disposition of the body, mourning feast and dance:

Their funeral is styled by them “the last cry.”

When the husband dies the friends assemble, prepare the grave, and place the corpse in it, but do not fill it up. The gun, bow and arrows, hatchet, and knife are deposited in the grave. Poles are planted at the head and the foot, upon which flags are placed; the grave is then inclosed by pickets driven in the ground. The funeral ceremonies now begin, the widow being the chief mourner. At night and morning she will go to the grave and pour forth the most piteous cries and wailings. It is not important that any other member of the family should take any very active part in the “cry,” though they do participate to some extent.

The widow wholly neglects her toilet, while she daily goes to the grave during one entire moon from the date when the death occurred. On the evening of the last day of the moon the friends all assemble at the cabin of the disconsolate widow, bringing provisions for a sumptuous feast, which consists of corn and jerked beef boiled together in a kettle. While the supper is preparing the bereaved wife goes to the grave and pours out, with unusual vehemence, her bitter wailings and lamentations. When the food is thoroughly cooked the kettle is taken from the fire and placed in the center of the cabin, and the friends gather around it, passing the buffalo-horn spoon from hand to hand and from mouth to mouth till all have been bountifully supplied. While supper is being served, two of the oldest men of the company quietly withdraw and go to the grave and fill it up, taking down the flags. All then join in a dance, which not unfrequently is continued till morning; the widow does not fail to unite in the dance, and to contribute her part to the festivities of the occasion. This is the “last cry,” the days of mourning are ended, and the widow is now ready to form another matrimonial alliance. The ceremonies are precisely the same when a man has lost his wife, and they are only slightly varied when any other member of the family has died. (Slaves were buried without ceremonies.)